tag:blogger.com,1999:blog-47608355294336814292024-03-05T15:31:07.900-08:00Live music production and artist managementAnonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.comBlogger21125tag:blogger.com,1999:blog-4760835529433681429.post-31331525741454848552013-09-03T22:01:00.000-07:002013-09-03T22:01:36.236-07:00Jeff Vitolo & The Quarter Mile Rebels…Revving Up The Tampa Bay Music Scene
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<span style="font-family: 'Times New Roman';">Like Don Henley, Phil Collins,
and Dave Grohl, Jeff Vitolo has joined the ranks of these seasoned artists by
taking the role of front and center.
This is something new for this talented and diverse guitarist, and he is
tackling it with gusto. Starting his career in the Tampa Bay live local music
scene in 1986, Vitolo worked his way through the industry, having the
opportunity to work and perform with numerous talented individuals, crews, and
set ups. Catching up with this versatile singer, songwriter, guitarist, and DJ,
he was happy to spend time for some Q & A, talking about his new project
and reflecting on his past endeavors.</span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqpfKuZuJlZ3sh6j0iygbcYSadVkgpl19PNmE2vH9WsqfhxBmxnT-wEQVWkcNQqQpYBwmCkKuVn5JS2gOL_HZ0sr7KLF3lY_MT3QHNKouKgWcEQYZcrNSvXYnxNVca3SFABr_4Erab1ZZy/s1600/Jeff+V..jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqpfKuZuJlZ3sh6j0iygbcYSadVkgpl19PNmE2vH9WsqfhxBmxnT-wEQVWkcNQqQpYBwmCkKuVn5JS2gOL_HZ0sr7KLF3lY_MT3QHNKouKgWcEQYZcrNSvXYnxNVca3SFABr_4Erab1ZZy/s400/Jeff+V..jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo Courtesy of JeffVitolo.com</td></tr>
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<span style="font-family: 'Times New Roman';">Q: How has your past
experience in the music industry brought you to this new direction in your
music?</span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">A: I look back on all the
bands I’ve been in with great adoration for the experiences and memories I’ve
had, and I cannot put a price tag on those experiences. However, growth is
necessary as an artist. I was never the type of person to be stuck on one
decade. I’m not that same kid. This music now, it’s more convincing, going back
to the roots, like southern rock, blues and rockabilly, really reaching out to
the roots of Skynard and Ted Nugent with blues-based rock-n-roll like Hendrix,
Chuck Berry, and Muddy Waters. They were the first rockers, and by playing
roots rock stuff, and not getting hung up on waiting for the record deal, this
is me. This is what I am, and where I’m happy. I thought, why not instead of
putting a band together, I just put my own name out there and build my own
brand, and do my own thing.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Q. How would you describe the
sound and the feel of an average Jeff Vitolo & The Quarter Mile Rebels’
show?<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">A. We are a rock n’ roll
revival band with a whole subculture of fans that live within the rockabilly
and revival lifestyle. I gravitated towards that market because it is a part of
my lifestyle as well, and after nine years it was just time to move on. It’s a
breath of fresh air to the music of today, with a surprisingly diverse audience
appeal. It’s pretty cool to have the potential for universal appeal, and break
down the age barriers. We have grandparents, parents, and the young generation
out there moving and grooving with us. Sometimes these kids don’t know who the
greats are, and when we cover a Rolling Stones tune or something from Chuck
Berry, they don’t realize what they are hearing. There’s a generation of kids
these days that are going back and getting into the musical roots, they are
sick of what’s being force-fed to them, and we enjoy helping educate them. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNBkAzZXJeFOWLmAMSd5hqCXrcT9qpZE7IBm9f6f6BVDFzVgYUxdSsQnGmK7WIOpP6BHZYVHTykx25YXFrzSwyqNfvfzS5Vh8W5J6vDCx0nSwSDlXgUfbAy7ZkbCSyuxiYkneE1zAAZY-b/s1600/993381_10151573272727882_129808039_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNBkAzZXJeFOWLmAMSd5hqCXrcT9qpZE7IBm9f6f6BVDFzVgYUxdSsQnGmK7WIOpP6BHZYVHTykx25YXFrzSwyqNfvfzS5Vh8W5J6vDCx0nSwSDlXgUfbAy7ZkbCSyuxiYkneE1zAAZY-b/s640/993381_10151573272727882_129808039_n.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo Courtesy of JeffVitolo.com</td></tr>
</tbody></table>
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<span style="font-family: 'Times New Roman';">Q. Tell us about the group itself--what
brings you all together?</span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">A. The group that I have put
together, Talon Balque on drums and vocals, Garrison Collins playing stand-up bass
and vocals, Lindey Mercer on harmonica and vocals, Jana Vitolo and Jessica
Colon as back-up singers; we are all torn from the same cloth, we think alike
in our feelings about this mature new step, and it makes writing and performing
a memorable experience. It’s all about this experience because once the money
is spent from the gig, that’s all you really have left.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Q. Since forming under a year
ago, the band has been busy. What are some of your recent accomplishments?<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">A. We have had many great
opportunities to play several local and regional events just since we started
this whole project last year. January was our first gig for the Full Throttle Magazine Florida Motorcycle Expo and later that month we opened for Southside Johnny and the Asbury Jukes, and in April came the chance to </span><span style="font-family: 'Times New Roman';">open for the legendary Dick Dale</span><span style="font-family: 'Times New Roman';"> along with many other performances at various car shows, local festivals and
anywhere else we could get our name out to. We released our first single, “Keep
On Moving” in March and it’s available on multiple digital distribution sites
such as iTunes, Rhapsody, Google Play, <a href="http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&field-keywords=jeff+vitolo+%26+the+quarter+mile+rebels">Amazon MP3</a>, and many others. We are
always working on new material to keep the show fresh and fun.</span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Q. What is the one thing that
sets you apart from other artists out there today?<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">A. As I have evolved, so has
my music. As we move along, I want to continue to do things that are fresh and
original, or have a new spin on an old classic. I’m all about yesterday is
yesterday, we got that poster on the wall, so tomorrow lets make a new one. The
biggest bands are special, there’s no bands that sound the way they do, and that’s
also what sets this project apart from anything else. It’s a new picture to be
painted as an artist, and if you ain’t paintin’ no new pictures, then you ain’t
no artist.<o:p></o:p></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/JqQaIcRfxeA?feature=player_embedded' frameborder='0'></iframe></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Keep tabs on Jeff and all the
Rebel fun at his website, <a href="http://jeffvitolo.com/">JeffVitolo.com</a>. Check out the pages on our favorite
sites, <a href="http://www.reverbnation.com/jeffvitolothequartermilerebels?profile_view_source=profile_box">Reverb Nation</a>, <a href="https://soundcloud.com/jeffvitolo">Sound Cloud</a>, <a href="https://www.facebook.com/JeffVitoloTheQuarterMileRebels">Facebook</a>, and <a href="https://twitter.com/jeffvitolo">Twitter</a> for all the newest news on the
band. Be sure to catch Jeff and his Rebels this Friday, September 6<sup>,</sup>
at the grand opening of the <a href="http://www.lookupbear.com/us/fl/holiday/food-and-drink-nightclubs/cloud-9-hookah-lounge">Cloud Nine Hooka Lounge</a> in Holiday, Florida. Showtime
is 7 pm, so break out your rockabilly gear, grab some friends, go enjoy the
music, and tell ‘em Betsy sent ya!<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> ***<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcTWMGTEZVyfFrglXcjlL26U8bIDieZOf9qEUiOzwYPw35-PH_xMr6ACIrJj6X5sPuNobwENr4g5d4WQzG-FOJe_dlM_AMVEEDi5Q0K0TRpurHD54vNByg2BiX-JuyWge_vNgR3izetnuG/s1600/rebel_5_logo_1280432333.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcTWMGTEZVyfFrglXcjlL26U8bIDieZOf9qEUiOzwYPw35-PH_xMr6ACIrJj6X5sPuNobwENr4g5d4WQzG-FOJe_dlM_AMVEEDi5Q0K0TRpurHD54vNByg2BiX-JuyWge_vNgR3izetnuG/s320/rebel_5_logo_1280432333.jpg" width="320" /></a></div>
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<span style="color: #262626; font-family: Times New Roman;">Formed in the spring of 2009, Rebel 5 is the
realization of two of Tampa’s live local music scene’s heavily seasoned musicians’
long road of hard work. Crossing several genres and six decades of rock and
roll, this band is steadily growing its fan base both here in the Bay Area and
beyond. Frontman Jake Steiner and co-founder Harold Post on bass </span><span style="color: #262626; font-family: 'Times New Roman';">(both </span><span style="color: #262626; font-family: 'Times New Roman';">formerly of Tampa based Treason and Boney Fiend)</span><span style="color: #262626; font-family: 'Times New Roman';">, met up with a
talented young guitar player, Luke Witkowski and yanked him out of his living
room and into his first band. After picking up two other local legends in their
own rights, Richard Bateman (Gardy Loo!) on rhythm guitar and Jim Coker
(Brutality) on drums, Rebel 5 took on a new edge and a new attitude.</span></div>
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<span style="color: #262626; font-family: 'Times New Roman';">Saturday August 10, 2013, at Tampa’s Silver
Dollar Saloon was the first chance for this new sound to be heard in its entirety.
Fans, family and friends alike packed the venue, and as the band worked its way
through a four-set night, the renewed energy of the band was clearly apparent.
Working their way through a catalog of originals and covers done R5 style, the
band and everyone present rode the tide of great tunes delivered with the
professionalism that twenty plus years’ apiece in the music industry brings. The
band is adamant that fan response is the most important goal at every Rebel 5
show. Frontman Steiner states, “At live shows our goal is for the audience to
dance and sing along; our top priority is to make the audience part of the show
keeping them engaged and involved.”</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVFEtW9NceYSvUp2O6uy8k6x-9lR0i__3vPnNloDcF8mubqjPiKyMJ8aqrbhDts6dqz6xSH1ZUjDvBQlZjjpg8PTTqaOmCFYCaUrz5K3bsgADnVh1rcvJrYCqjQV0ODW2fcKN8O0EF61Nv/s1600/1097032_10201421976967818_2122248012_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="475" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVFEtW9NceYSvUp2O6uy8k6x-9lR0i__3vPnNloDcF8mubqjPiKyMJ8aqrbhDts6dqz6xSH1ZUjDvBQlZjjpg8PTTqaOmCFYCaUrz5K3bsgADnVh1rcvJrYCqjQV0ODW2fcKN8O0EF61Nv/s640/1097032_10201421976967818_2122248012_o.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rebel 5 Live @ Silver Dollar Tampa 8/10/13 Photo by B. Cooper</td></tr>
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<span style="color: #262626; font-family: 'Times New Roman';">The band has completed the recording sessions
for their first full-length album set for release in late fall/early winter.
Until then, check them out on the usual sites, <a href="https://www.facebook.com/JHLM2009">Facebook</a>, <a href="http://www.bandmix.com/rebel-5/">Bandmix</a>, <a href="https://twitter.com/rebelfiveband">Twitter</a> and <a href="http://www.reverbnation.com/rebel5">ReverbNation</a>, where you can grab a few free downloads of R5’s original tracks. Rebel
5 will also be making appearances around the Bay Area in the coming months, so
keep up with the show calendars for the latest news on one of Tampa’s favorite
live local music artists. </span></div>
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<span style="color: #262626; font-family: 'Times New Roman';">Check out a clip from their most recent show at Silver Dollar Tampa!</span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/OGg9CJ1bUTo?feature=player_embedded' frameborder='0'></iframe></div>
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<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com2tag:blogger.com,1999:blog-4760835529433681429.post-59368830425007519862013-07-25T21:20:00.001-07:002013-07-25T21:20:28.292-07:00Da Purple Ranger: Tampa’s Live Local Music Scene’s Newest Entry To Hip-Hop
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<span style="font-family: "Times New Roman";">Lil Roddy Da
Purple Ranger is as offbeat and eccentric as his name implies. This Tampa
native has taken his love for the Power Rangers, Lil Kim, and his hip-hop
influenced attitude and turned it all into a whole new music experience. A four-song
set stretched over the night at <a href="http://www.valentinesnightclub.com/">Valentine’s Nightclub & Show Bar</a> in Tampa, Florida,
recently introduced live local music lovers in the Bay area to this unique
offbeat artist. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeCiMvja-RZy3Q65T0uowVVRUP5Y_ZKddx9WVQszaM8osBYZ090UtYaK2jBNTa9aas4eunEEQtHFiGGG_QoA0sqQNxvurbEMIZsJJ07X4hBZjKE2MtVvFqn1VllxMYPoFafaY8VHrl3Cr7/s1600/1070095_10200922194710226_1456581415_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeCiMvja-RZy3Q65T0uowVVRUP5Y_ZKddx9WVQszaM8osBYZ090UtYaK2jBNTa9aas4eunEEQtHFiGGG_QoA0sqQNxvurbEMIZsJJ07X4hBZjKE2MtVvFqn1VllxMYPoFafaY8VHrl3Cr7/s400/1070095_10200922194710226_1456581415_n.jpg" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lil' Roddy Live @ Valentine's 7/9/13<br />Photo courtesy of Valentine's</td></tr>
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<span style="font-family: 'Times New Roman';">Lil' Roddy began putting rhymes together the same year </span><a href="http://en.wikipedia.org/wiki/Lil'_Kim" style="font-family: 'Times New Roman';">Lil'Kim</a><span style="font-family: 'Times New Roman';"> went to prison in 2005. </span><span style="font-family: 'Times New Roman';"> </span><span style="font-family: 'Times New Roman';">She was one
of his idols and the loss of her vocals in the industry affected him. This led
to the formation of a group with his two best friends in 2009. They called
themselves Rangers in Reality. The group lasted for a few years until the
members decided to go their separate ways, leaving Roddy to pursue his solo
career. According to Roddy, “I didn't really sit and think hard about purple
wigs and things, the character came to me naturally and it is an exaggeration
of myself and who I want to be. I take on character roles and costumes because
that's my personality. Da Purple Ranger is a Power Ranger, he is a hero, he’s my
hero, and he’s the industry hero.” Citing his personal past experiences with
bullying as the inspiration for this heroic character, this artist is quick to
state his views. “When I was a kid, I never fit in. But over the years, I have
learned to embrace the qualities that make me unique. My persona, Lil' Roddy Da
Purple Ranger, was born the day I decided to not give a damn about other
people’s opinions of me and it is his birthday every time I put on that wig and
walk up on the stage to entertain.”</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9HhwfKt-TDu55bjQ9DfUBZlpwZH0XfIv-Wrj9QEKJNAnMNh0IvsafJDy9KcVx0I45VkSDBS6Hnl05rXYZkJ05y5BdDyVn9BMwvCyx6BqZDnGaUW9EAtPIg8H2vZLI1Xgdtzf0RADjpGHE/s1600/1328176630_2012-01-24_15.05.51.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9HhwfKt-TDu55bjQ9DfUBZlpwZH0XfIv-Wrj9QEKJNAnMNh0IvsafJDy9KcVx0I45VkSDBS6Hnl05rXYZkJ05y5BdDyVn9BMwvCyx6BqZDnGaUW9EAtPIg8H2vZLI1Xgdtzf0RADjpGHE/s640/1328176630_2012-01-24_15.05.51.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo courtesy of Lil Roddy</td></tr>
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<span style="font-family: 'Times New Roman';">And entertain he does, switching from melodies and rhymes to
beats and raps. This high energy, and go-for-it-all performer is determined to
shake up the live local music community with his aggressive performances.
Crossing lines, gender bending, and blending the best of his influences in both
music and his personal life, he works hard to drive each performance to be
better than the last. “I draw on influences from so much in my life that the
list may never stop! I hope to inspire others through my style and music and to
help break down the barriers of what a real man is supposed to be. I don't feel
there should be a set definition of what a person should act like or behave
like, each individual should be himself or herself, and go wherever their paths
lead them.”</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPPb_5RXW9nz3m-DItX3wUwF2Iz0Ic6GJFLPsxXAEDXsJ-ws7kmMy7iVm5uvk4IIiFaf9FMjMCG3cebsNaTJ4M3aKeOUOZ1gU7RnBLejCiX8Nnk45fpkGpmn0cUO6IQVOfP_doix1p1m-C/s1600/1327564043_171416736221102_100000583298473_486359_2434524_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPPb_5RXW9nz3m-DItX3wUwF2Iz0Ic6GJFLPsxXAEDXsJ-ws7kmMy7iVm5uvk4IIiFaf9FMjMCG3cebsNaTJ4M3aKeOUOZ1gU7RnBLejCiX8Nnk45fpkGpmn0cUO6IQVOfP_doix1p1m-C/s400/1327564043_171416736221102_100000583298473_486359_2434524_n.jpg" width="193" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo courtesy of Lil' Roddy<br /><br /></td></tr>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">Make sure to catch this rising star as he takes on the live
local scene now and in the future with his messages of inspiration, confidence
and the importance of being true to oneself. Grab some free downloads at
<a href="http://www.reverbnation.com/lilroddydapurpleranger">Roddy’s Reverb Nation page</a>, and take a moment to introduce yourself to the
Purple Ranger. You can also catch up with him on <a href="https://www.facebook.com/dapurple.ranger?fref=ts">Facebook</a> and <a href="https://twitter.com/DaPurpleRanger">Twitter</a>, and as
always, in the clubs and venues around Tampa Bay.<o:p></o:p></span></div>
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<span style="font-family: 'Times New Roman';">Check out live video from Roddy's most recent Tampa performance at Valentine's. Original video by B. Cooper.</span></div>
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<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com2tag:blogger.com,1999:blog-4760835529433681429.post-42805558210690795302013-07-14T20:42:00.000-07:002013-07-30T20:02:00.185-07:00Mama Gina Live @ Mystikal Scents 7/13/13<br />
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<span style="font-family: 'Times New Roman';">Tucked into the corner of a shopping plaza off Fowler Avenue in Thonotosassa, Florida, is a small little known store named</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> <a href="https://www.facebook.com/mystikalscents">Mystikal Scents</a>. </span><span style="font-family: 'Times New Roman';">A true </span><span style="font-family: 'Times New Roman';">diamond in the rough, it is a pagan/wiccan metaphysical retail operation that has a little bit of everything for the metaphysical fan.</span><span style="font-family: 'Times New Roman';"> On this warm and muggy
July evening, the strains of an Alvarez 12 string acoustic guitar poured out of
the doorway of this unique shop, </span><span style="font-family: 'Times New Roman';">and was soon followed by the voice of a long-time songstress and storyteller, known as Mama Gina. Her blues-driven folk music with pagan styled lyrics weaves storied journeys, which take listeners down paths the singer has tread in her past connections with nature and the energy of the world.</span></div>
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<span style="font-family: 'Times New Roman';">Even though Mama Gina is still a fresh name to the music and pagan community, this talented lady got her start many years ago in her hometown of Tampa, Florida. After spending much time on the road singing and playing at many locales, she settled down in the land of palm trees, her roots, and has spent time with other local artists. All of this was building to a new evolution for the artist, “I stopped singing, I needed a break. I felt like I had lost my voice, not my physical voice but my heart wasn’t in it. I didn’t want to play in bars anymore, it wasn’t the vibe I was looking for.” During a 2009 camping trip to a festival in the Ozarks, Mama Gina had only her tent, a drum and nothing but nature around her. With that background as inspiration, she found her voice and began singing and writing once again but on a new path.</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> </span><span style="font-family: 'Times New Roman';">Describing her new sound,Mama Gina is quick to point out the source of her freedom with genres, “Vocally, I get to do whatever I want to with the music. If I write something that sounds bluesy I get to sing it bluesy, if I write something hip-hop influenced, I get to channel that energy, if I do something that sounds like country, I can perform it that way. I don’t get pigeonholed into any one sound anymore.”</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNgyiE7eUPXaDdtsMbq6ZecnCnSr-wac3TO5QYjgMeooyuW_NAdElvmtSxtQoPMlnnCke_jbqWhBFUbxKwOd0_nimFoWDBXpz7FkHC7pZLr58mfhUcxqZF4fl5jZFgATpXTOP7jgeXoZua/s1600/1048030_10201179525146674_751968505_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNgyiE7eUPXaDdtsMbq6ZecnCnSr-wac3TO5QYjgMeooyuW_NAdElvmtSxtQoPMlnnCke_jbqWhBFUbxKwOd0_nimFoWDBXpz7FkHC7pZLr58mfhUcxqZF4fl5jZFgATpXTOP7jgeXoZua/s320/1048030_10201179525146674_751968505_o.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo by B.L. Cooper</td></tr>
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<span style="font-family: 'Times New Roman';">The many performances, tweaking and recording has produced her first full-length release, Goddess Kiss’d and this special night at Mystikal Scents was also the official CD release party. The singer spend the better part of two hours entrancing her audience with her music, spurning laughter, love and at times even tears, as we journeyed with her down the road singing of birth, life, unity, and even a celebration of those lost to us. Switching easily from guitar to </span><span style="color: #262626; font-family: 'Times New Roman';"><a href="http://en.wikipedia.org/wiki/Djembe">djembe</a> to two different frame drums, the music and the voice blend went in al</span><span style="color: #262626; font-family: 'Times New Roman';">l different ways for each song, with each as diverse and different as the last. Seemingly one with the instruments and the songs, she performs music that touches the heart. When asked about personal growth she states, “I think I’ve grown as a songwriter, I’m really staying true to the stuff that is literally falling out of me. I don’t want to sound all “frou-frou” and and say ‘oh I’m channeling it’, but the fact is that words are falling out of me and I’m not having to do very much. I’ve done a lot of work on my craft and now my craft is doing the work for me.”</span><br />
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<span style="color: #262626; font-family: Times New Roman;">And w</span>orking it is, making this artist another
must-see to add to any music fan’s list. Mama Gina has many upcoming shows both
around Florida and around the country, make sure to check in with her on <a href="http://www.reverbnation.com/mamagina">ReverbNation</a> and <a href="https://www.facebook.com/mamaginamusic">Facebook</a> for the latest show and festival dates. Grab a few free
downloads while you’re there; also look for the new record on your favorite
digital distribution sites, <a href="http://www.cdbaby.com/cd/mamagina">CD Baby</a>, iTunes, Rhapsody and many more.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWzN51kIWSpRSSibCcrKxSu7XtouJw1P2B5ktnPGa3_7kALDz2hIvp99fBJ1Oc8kKfMZ9id6uRbCuTubqm6N8kPd-z5HlzCKFJ6niwe771-jKQYFGXr0HAI_gkSqFan0nrFMAIFOSLPHlc/s1600/1025923_10201179774912918_567496583_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWzN51kIWSpRSSibCcrKxSu7XtouJw1P2B5ktnPGa3_7kALDz2hIvp99fBJ1Oc8kKfMZ9id6uRbCuTubqm6N8kPd-z5HlzCKFJ6niwe771-jKQYFGXr0HAI_gkSqFan0nrFMAIFOSLPHlc/s320/1025923_10201179774912918_567496583_o.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mama Gina with Pearl of Mystikal Scents<br />
Photo by: B.L. Cooper</td></tr>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">Upcoming Shows:<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">Saturday, July 20, 2013<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">The Raven Faerie<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">Lakeland, FL<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">Friday, August 9, 2013<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">GreenSong 2013<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">Winchester, VA<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Grande";">Check out Mama Gina's "Waking Panther" from the CD release party, performed with an 18" synthetic head frame drum, using the hollow of the drum to amplify the voice. Original video by B.L. Cooper.</span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/1sEsXUM2BrQ?feature=player_embedded' frameborder='0'></iframe></div>
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<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com2tag:blogger.com,1999:blog-4760835529433681429.post-62768846451470210982013-06-30T16:41:00.001-07:002013-06-30T16:41:24.072-07:00Taking The Expert's Advice To Heart
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Based on <a href="http://www.thenextwomen.com/2008/12/27/expert-interview-13-questions-on-funding-pitching-part-1">Ms. Cockerton’s advice</a>, changes to the company business plan include taking the expert’s words
about defining the target market to heart, and further defining my business
plan. In an effort to directly target a unique niche market that is growing by
leaps and bounds, the LGBT community, the marketing and staffing requirements
also change. This community needs more audio and event companies that will
provide superior service that at it’s core, <a href="http://www.forbes.com/sites/susanadams/2012/11/16/more-companies-come-out-for-lgbt-rights/">addresses the specific social needs of their events</a>. Cockerton’s advice to make sure that the team is talented,
while already implemented must now be re-defined to include the needs of this
new niche market that the company is leaning towards. <o:p></o:p></div>
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In order to ensure the best
place fit for an LGBT event, our crew must be as dedicated to filling their
roles not only as our employees but also as part of a company that fully
supports the community. Based in the southeast, that need is further exacerbated
by its location making complete background and security checks necessary prior
to a new crewmember joining this special team. This not only ensures the safety
and comfort of our clients and artists but also prevents the reputation of the
company and it’s officers from suffering any damage of an event not handled
well. <o:p></o:p></div>
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According to both Cockerton
and the second expert chosen, <a href="http://www.inc.com/minda-zetlin/should-you-write-a-business-plan-2-experts-debate.html">David McShea</a>, the most first and most important
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other important things investors will look for is professionalism, realistic
planning, and well-considered financials (Cockerton). All of these elements
must be in place in order to inspire confidence when seeking any type of financial
help for a new venture.<o:p></o:p></div>
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<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-50071012658845655072013-06-09T21:16:00.003-07:002013-06-09T21:18:17.467-07:00To Plan Or Not To Plan?<!--[if gte mso 9]><xml>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">In any live sound
environment, planning is essential to success, and the same is true for starting
running the business of live sound. A complete business plan for any company,
live audio and production included, is vital to the overall health of the
venture. While there are many <a href="http://bpexpertviews.blogspot.com/2012/08/andrea-cockerton-angelo-meneguzzi.html">schools of thought</a>, at the basis of most expert
opinions is that a business plan must not only be written and followed, but
reviewed and adjusted during it’s implementation in order to get the best
results from the efforts. <o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Researching experts in the
field of business plan implementation turned up <a href="http://uk.linkedin.com/in/mudhut">Andrea Cockerton</a>, an
independent pitch and fundraising consultant and founder of Mudhut Consulting,
based in the United Kingdom, who has worked with everyone from start-ups to
global brands like Microsoft in all areas of technology and more recently the
arts. Cockerton advises in her <a href="http://www.thenextwomen.com/2008/12/27/expert-interview-13-questions-on-funding-pitching-part-1">interview with The Next Woman magazine</a>, that
there are three essential elements to any successful business plan: <o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">1. Targeting a growing market
with a need for your product or service. <o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">2. That the team is talented
and able to execute the business plan. <o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">3. That your product, service
or idea is groundbreaking. <o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Also in
the interview with The Next Woman, Cockerton points out another vital piece of
advice to new entrepreneurs, “</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: Georgia;">You have to be prepared for everything - no part
of the business is too small. But when you first pitch it, don't fall
into the trap of talking only about how great the technology or idea is - what
investors really want to hear about is how it is going to make money.” For
those seeking outside funding of any kind, these words of wisdom offer much
insight. When attempting to pitch your business plan, or anything in life,
remembering that most people want to know what it is going to do for them, how
will it benefit them to be a part of the project? By asking those questions
prior to pitch, it will allow for better plan writing based on what the
business has to offer in the way of making revenue. <o:p></o:p></span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-bidi-font-family: Georgia;">Two other noted experts in the field have also
recently debated the pros and cons of developing a business plan. In the
article, <a href="http://www.inc.com/minda-zetlin/should-you-write-a-business-plan-2-experts-debate.html">“Write A Business Plan Or Not? 2 Experts Debate”</a>, is between David F.
McShea, a partner in the Law Firm of Perkins Cole and Will Hsu, co-founder of
Los Angeles based Muckerlab. According to McShea, writing a business plan is
essential because it allows for the idea to be fully planned out, and ensures
it’s probability for existence. Many ideas sound great but the reality of
implementing them can be another story, this is where the business plan will
show what it would take to move forward. McShea points out that, “Writing a
business plan may actually convince you to dispense with or change your
original business concept and create a better, stronger business concept
instead. It is much cheaper to do this on paper than with a payroll.” Quick to
acknowledge that not everything will go according to the plan, McShea says it
is still a good thing to have because, “knowing that you will need to
reevaluate your business plan when circumstances change is no reason to forgo
creating one.”<o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-bidi-font-family: Georgia;">Not everyone agrees with this though and in the same Inc magazine
article, Hsu states, “An entrepreneur's time and energy should be put into
solving that problem by talking to as many customers as possible and continuing
to iterate the end product and the pricing. Time spent on writing a 40-page
business plan would be better spent talking, selling, and understanding
customers and their needs.” While much attention to detail must be paid,
especially during startup, to the target market and satisfying the needs of
that market, a part of that start up should be put into the business plan
itself in order to keep on top of the project and avoid neglecting a vital
area. McShea supports this with his statement, “Another advantage is that
preparation of a business plan will enable you to portray your vision for the
business more credibly and persuasively to potential investors, business
partners, customers and employees. Many prospective investors will ignore
you if you don't have a written plan to share.” <o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;">Hsu
argues that there is more of a demand to hit the market faster with a hot idea
than to plan the business out properly, he also suggests using whiteboards that
can be easily wiped and re-written instead of a formally written plan. Hsu says
that the biggest advantage to not having a formal business plan is that it is
“faster to market” and “The business plan-centric approach to company building
forces an entrepreneur to focus on strategies and plans as the first step of
the process. By not having a business plan entrepreneurs will be forced to
focus on their customers first and foremost.” While this idea may work for
smaller projects and product based ideas, for the purpose of offering a service
in a niche market, following Cockerton and McShea’s advice would seem the best
course of action for the overall health of any new business venture.</span><!--EndFragment--></span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;"><br /></span>
<span style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;">References</span></span><br />
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<span style="font-family: 'Times New Roman';">Music fans of the world, unite! A new musical force is on
the scene titled <a href="http://www.samuraishotgun.com/">Samurai Shotgun</a>, and they are out to convert every audience
into hordes of loyal fans. This five-piece band boasts a roster that is as
culturally diverse as the music they create. While in college nearly 10 years
ago, the band was the brainchild of Mateo “Prince Golden” Henley, and fellow
Recording Arts classmate, Marquis “DJ Qeys” Blocker.</span><span style="font-family: 'Times New Roman';"> </span><span style="font-family: 'Times New Roman';">They reformed the group in 2011 with its
current lineup, adding Bryant Harp on bass, Tyler Mulder on guitar and Jovan
Lecaro on drums.</span><span style="font-family: 'Times New Roman';"> </span><span style="font-family: 'Times New Roman';">Like the great warrior
spirit they pay homage to, Samurai Shotgun is set to take on the musical world.
Although they are loosely categorized as “progressive/alternative hip-hop” on
indie sites such as <a href="http://www.reverbnation.com/samuraishotgun">Reverb Nation</a>, this doesn’t come close to describing the
unique sounds they produce. Blending and layering hip-hop rhythms, lyrical old
school rap, and cutting and scratching with Latin that’s been infused with
punk-influenced drumming, they top it off with slap and pop, funky bass and a
heavy intricate bluesy guitar. Samurai Shotgun is the ultimate crossover band.
Founding member DJ Qeys sums it up this way, “We all have totally different
backgrounds and different ways of life, but on that stage when we come together
as one, it’s perfect. A great mix of all these different influences, different
genres, and the way we blend them together is what allows us to make our mark.”</span></div>
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<span style="font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">The effectiveness of this blending was definitely apparent
during their recent set on Sunday, May 26, at <a href="http://www.ybor.org/">Ybor City</a>’s <a href="http://crowbarlive.com/">Crowbar</a>. From the
first strains of “One Mind, One Heart, One Soul”, the band soon had the
attention of the entire audience, from patron to employee. All eyes were on the performers, and for the
next thirty minutes they proceeded to entertain, move, shake, mesmerize,
scratch and pound away at their craft. Vocalist Prince Golden never stopped
moving, jumping from stage to PA, to floor and back. Lecaro was a blur on the
drums, Harp and Mulder were both in their own musical world while still fully
in tune with their band mates. DJ Qeys and his tables acted as one entity, with
each intricately layered element of the group working in perfect harmony.
Pouring everything they have into each live show is the motto for this motley
bunch and the experience they offer while on stage is not to be missed. “We
want to deliver something fun, energetic, and exciting, something that will
bring joy to people’s ears,” says bassist Harp when describing their approach
to music and performing. Within that thirty minute set list, the genres crossed
from funk, hip-hop, R&B, Latin, rap, rock, and metal to name a few. Other
beauties that night included, “Ecuadorian Stand Off”, “Downtown Funky Pants”,
the soulful “Escape Above”, and “Heavy Arms.” They finished the night with the
heavy hitting “Force Of The Shotgun” in which Lecaro’s drumming could be felt
in everyone’s chest as it reverberated out of the PA with ground-shaking
results. </span><o:p></o:p></div>
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<span style="font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">The band is quick to acknowledge that their diversity is key
to their unique approach to songwriting and performing. “We all have open minds
about our performance and we continue to learn from each other about music,
which is what makes us so much more complex,” explains Lecaro. His statement is
further strengthened by guitarist Mulder’s description of their show, “You
really don’t know what you’re in for when you come to see <a href="https://www.facebook.com/pages/SAMURAI-SHOTGUN/495798080484385">Samurai Shotgun</a>, it
is truly a cornucopia of sound.” Sticking with the premise of something for
everyone, this band is ready to make their way to the next step. </span><o:p></o:p></div>
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<span style="font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> As lead singer and
founder <a href="https://twitter.com/PrinceGolden1">Prince Golden </a>quickly pointed out, “Not only will everyone find
something they like within Samurai Shotgun, when people attend our show, the
one thing they can expect is something they’ve never seen before.” “Force Of
The Shotgun” is the first single from their self-titled full-length album
currently scheduled for a late summer release.
The band has plans for hitting the road in support of their first album
as the year progresses. Until the release, the official video is available on
<a href="http://www.youtube.com/watch?v=7-ChCgYsCGM">YouTube</a>. Their next show is scheduled at Crowbar for June 4, which will be a
great opportunity for their fans to catch this band phenomenon that calls Tampa
Bay home before they strike out for the big time.</span><o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Set list:</span></div>
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<o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">One Mind, One Heart, One Soul</span></div>
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<o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Runnin’</span><o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Ecuadorian Stand Off</span><o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Escape Above</span><o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Downtown Funky Pants</span><o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Malone</span><o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Heavy Arms</span><o:p></o:p></div>
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<span style="font-family: 'Times New Roman';">Force Of The Shotgun</span><o:p></o:p></div>
<div>
<span style="font-family: 'Times New Roman';"><br /></span></div>
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<br /></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com1tag:blogger.com,1999:blog-4760835529433681429.post-40128459329277623402013-05-12T18:56:00.002-07:002013-05-12T18:56:45.257-07:00Music Festivals: The Good, The Bad and The Ugly
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">In today’s economy, with
consumer dollars being fought over by everyone in the music industry, putting
together the ultimate music lover’s festival is more lucrative and chancier
than ever. Music fans with less disposable income are less likely to spend
money on concert tickets unless they can get a true value. It is with this
thought in mind that we look at what goes into planning a music festival, and
what it will take to get those tickets sold. Planning and executing a
successful music festival is a lesson in time-management and organization. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">For a new music fest being
built from the ground up, it is best to start planning a full year before the
actual event. This will allow for enough time to have all the necessary
pre-production planning in place, along with securing the venue, promoter and all
the talent. This initial planning period should be used to determine the size
of the festival, how many stages and the duration of it. Ideally, the promoter,
leaving the details to the production side, would bring any festival idea to
the production company. ProSoundWeb’s Teri Hogan in his article,<a href="http://www.prosoundweb.com/article/one_stop_shopping_captain_what_does_it_man_this_term_full_production/P4/"> “One StopShopping: Captain, What Does It Mean, This Term Full Production”</a>, says that, “</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: Arial;">Particularly
for large, multi-stage festivals, hiring a single source to handle all the
entertainment elements of the event is almost a necessity. The event director
has too many other things to handle to have to worry about the details of his
entertainment.” This means that after the event director has brought you, the
production company on board, the responsibility for the overall execution of
the fest is then in your hands.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">First step in the planning is
to determine the best location for the fest, how long it will last (one day or
multiple), how many stages, and how many bands that need to be booked for the
duration of it. Festivals with a theme, catering to a specific genre are
generally easier to plan and book, to cross over and have multiple appeal, more
thought and planning must go into booking and scheduling the talent to ensure
the right mix of musical styles and crowds. Securing the bands is usually left
up to the promoter, while making sure the riders are satisfied or reasonably
accommodated is the job for the production company. Also, according to Hogan,
one of the key elements to a successful fest is to hire, “</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: Arial;">the best
technical person on staff must be in charge of production management. Even with
the best preparations, all kinds of little things can go wrong, especially at
multiple stages. One person not involved in production at any one stage has to
be free to fight the fires, and this person should be well versed in technical
knowledge as well as diplomacy.”</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: Arial;">Be sure to list and verify all permitting that must be secured along
with verifying all local and state laws are observed. Arrange for all safety
inspections of the venue’s stages to take place as early as possible in the
planning making certain that everything current for electrical and fire coding.
Once the stages are in place and the equipment has been loaded in and set up,
plan on a final safety inspection prior to opening the gates. Check the layout
of the venue and how it will factor into ferrying the artists across the
festival grounds and to the stage. In order to allow the stages to run as
smoothly as possible with minimal set change times, full backline must be
provided at all the stages and artists should be discouraged from bringing
anything other than their basic instruments. Hiring the right amount of crew
and techs for the show will also prove vital to its success or failure. There
is never such a thing as too much help for large-scale music events, so make
sure to utilize all personnel as needed. Each stage needs a qualified stage
manager to ensure smooth transitions between sets, and enforce adherence to the
strict festival schedule. Allowing an act to run over their allotted timeframe
will cause interference with the other stages close by. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: Arial;">Vendors of all types are expected to be a part of the festival
experience. In the eHow article, <a href="http://www.ehow.com/how_4489255_organize-music-festival.html">“How To Organize A Music Festival”</a>, it advises
to, “Make sure you contact the top restaurants and food emporiums in your area.
It's not all about the music. People have to eat and drink as well, so you
might as well make sure they are not hungry or thirsty.” This also gives a
great opportunity for festival organizers to coordinate with vendors for the
purpose of sponsorship of the event, and to determine what additional use of
the venue grounds will need to be portioned off to accommodate the vendor area,
and to what degree space for each will be allotted.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: Arial;">Another issue or major concern is to make certain that all insurance
policies are in place for the duration of the fest. Coverage will be needed for
the event itself, protecting all those involved and also against sever weather conditions
that might cause a delay or outright cancellation of the event. In addition to
coverage for the festival and attendees, there also needs to be additional
Workman’s Comp coverage purchased to cover all workers and volunteers in case
of injury. Consulting with a legal and insurance team for the promoter or venue
will prevent any issues, as the day of show gets closer. Security is another
important issue to a successful festival experience for all involved. Making
sure there is adequate personnel to provide security for the event, from the
front gates to the front of the stage will help to ensure everyone involved has
a safe and fun experience. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com1tag:blogger.com,1999:blog-4760835529433681429.post-38436769387013197292013-04-28T18:58:00.000-07:002013-04-28T18:58:43.937-07:00Alyssa – Taking The Pop Genre To A New Level
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">There’s a new star on the
Florida pop scene, <a href="https://www.facebook.com/Alyssa.The.Fan.Site?group_id=0">Alyssa</a>, and her name will soon be on the minds and hearts of music
lovers everywhere. This bright young artist, a New Jersey native who found her
way to the dirty south many years ago, and now calls Clearwater her home, is
poised to take center stage in the music industry. Expressing interest in music
from an early age, she wrote her first songs by the age of fifteen and began
performing at the age of eighteen for family and small crowds, working her way
into the nightclub scene, honing her stage skills and performances into a
finely tuned machine. Citing influences from Madonna and Christina Aguilera to
Heart, she is a solid pop artist with a unique sound. This young artist has
faced many struggles in her life using each one as inspirations for her music,
drawing on the learning experiences of life to guide her craft. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">As she started expanding her
interest in the music industry by writing and preforming, the feedback was
pouring in, and her future was looking bright. However, this first foray into
the industry was abruptly cut short when her health intervened, forcing her to
take a hiatus from music. Shortly after, she was diagnosed with the aggressive
and damaging health issues that are a part of <a href="http://www.diabetes.org/diabetes-basics/type-1/">Type I Diabetes</a>. Defying doctor’s
predictions, with passion and determination, she fought her way back to good
health and to music, finding solace in the tunes that she writes. During the
interview, she offered these words to others, “I always felt that music was a
form a therapy for the soul, and I hope that by showing the world that I don’t
let my health conditions stop me, I could be an inspiration to others that
suffer from long-term health problems.” <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Not letting any setbacks
deter her from her goal, Alyssa is now ready to bring her music to the world. Starting
in January of 2013, she began forming her personal team of visionaries,
surrounding her with many industry veterans as she finishes up the final tracks
for her first full-length release, due out in June of this year. “I’m very
excited to be able to bring my music to a new level, and can’t wait to get back
on stage,” says the young artist. With the release of the album pending, she is
ready to hit the road this summer with the “Bad Girl Summer Club Tour” working
it’s way first around Florida and later to the rest of the southeast. With the
intention of making Alyssa a household name, she is well on her way to becoming
the mega-star like those she idolizes.<o:p></o:p></span></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-14999334437274947262013-04-01T22:47:00.002-07:002013-04-01T22:47:17.438-07:00Avoiding Legal Pitfalls In Live Sound; Words Of Wisdom From An Industry Expert
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Calibri;">Avoiding liabilities in live sound is like walking through a field of
legal land minds, and only carefully mapped paths to tread will avoid setting
one off. Today’s audio companies must be fully insured, and prepared to handle
any situation that could arise before it happens. No one stresses this more
than <a href="http://www.emusiclaw.com/index.html">Julee Milham, Esquire</a>, and well-known local attorney to the Tampa Bay Area
who has been in practice since 1986. Milham was kind enough to grant an
interview to an aspiring entrepreneur and the information she provided is
invaluable to any business plan. Along with the many risks of any business that
must be considered, there's several that in live audio, we must be ever
conscious of. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: Calibri;">Operating with safety first and foremost is, according to Milham, the
biggest item and risk to consider. She states, “the risk of injury to third
parties; whether by improperly secured, improperly installed, or improperly
operated equipment, including transit vehicles,” is the number one “red flag”
that must be addressed, then continually monitored through out the planning,
set up, and execution of any event. We have seen the results in the last decade
from negligence in all areas of production, with the loss of life and injury to
those third parties unacceptable. No one wants to find him or herself on the
wrong end of a situation that could have been prevented. The old saying, an
ounce of prevention being worth a pound of cure, really hits home in the live
audio world. During planning, asking all the right questions, brainstorming any
possible scenarios along with a fully planned out risk assessment will be just
as vital as the gear, crew and call times themselves.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Calibri;">Other ways of minimizing risks are by using properly written contracts
and securing the best insurance for your company. According to Milham, “You can
provide in your written agreements under what circumstances you can pull
equipment, in your own judgment.” By writing in the amount of control you have
over the use of your equipment and clearly stating what circumstances will warrant
the suspension of use, will help your company have a final say for when the
show goes on, and when it doesn’t. Other safety issues can also be addressed in
contractual mandates requiring written proof of current inspection reports along
with all staging and roofing specifications be submitted for review prior to
the arrival of your equipment on-site. Being able to verify what the physical
structure of the stage is comprised of and that it meets all state and local
regulations will prevent any issues with damaged equipment and safety hazards.
For outdoor gigs, in all areas of the country, weather conditions must be
watched, typical weather patterns observed for each location leading up to the
show, and then heavily monitored for the duration of the event. Taking into
account the factor of the type of staging and roofing, if it is a permanent
install, if wings are being added, and the composition of the roofing material
are all necessary prior to any outdoor stage use.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: Calibri;">Insurance, good insurance, is another key to minimizing losses. Spending
the extra funds to guarantee that your company has the best coverage possible
for a general policy is a smart investment while providing for any unforeseen
future problems helps to reduce headaches later. Check around your area,
analyze your risks thoroughly, and then be prepared to take out extra coverage
for day of show on large festivals. Even though concert promoters are required
to have insurance to cover, according to Milham, “all types of losses,” it is
still better to be safe than sorry later. A claim of injury in which your
company is named could cost in the tens of thousands to litigate or settle, and
be the undoing of all the hard work to date. Be certain when dealing with a
festival that you not only are aware of the touring company’s insurance
coverage, <a href="http://legal-dictionary.thefreedictionary.com/subrogation">subrogation</a> and waivers but also the venue’s themselves. Many
instances will require the subcontractors to sign <a href="http://www.investopedia.com/terms/w/waiver-of-subrogation.asp">waivers of subrogation</a>
limiting the chain of responsibility. Inquiring if your company can be named to
the promoter and or the touring company’s policy, as an additional insured, will
provide another layer of protection.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Calibri;">Other issues that could arise are within sound ordinances and
performance rights. Knowing what the rules of the area are, how loud you can
run, and at what time to pull the plug is important avoid being charged with disturbing
the peace or any other local laws that could compound the problem. When dealing
with <a href="http://en.wikipedia.org/wiki/Performing_rights">performance rights</a>, Milham confirms that operating as only a live audio
company, you are not subject to any kind of infringement. However, she cautions
that one must be certain “you aren’t participating in the unauthorized audio or
audiovisual recording of copyrighted material.” This includes allowing hook-ups
to your soundboard to record the performance in any way. Always be mindful of
artists performance rights, and when in doubt, don’t. As an example, a
designated representative of an unsigned, local artist that wishes to record
visually or run audio to their camera is fine to do so if the artist is only
performing their material. If it is any kind of a karaoke style performance, it
could be seen as infringement, leaving the audio company open to a liability it
could have avoided. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Calibri;">As many, including Milham stress, the importance of limiting legal
risks will only ensure and improve the health of all involved, from the guy
unloading the gear, the fan who is lucky enough to be next to the stage, to
the company itself, safety is not merely a component of the business plan, but
rather the basis of the plan to work from. </span><span style="font-family: "Times New Roman"; mso-bidi-font-family: Helvetica;"><o:p></o:p></span></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-8182070015764508542013-03-10T17:58:00.001-07:002013-03-10T17:58:05.387-07:00Music Fans Die For Their Favorite Artists, Literally.
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">In the music industry, the business
of live events should as much about the music itself as it is the safety for
those that attend and work the shows. In a public gathering spot, charging entrance
to an event or free; concerts, sporting event, fairs, theatres, clubs or bars
bear the responsibility to ensure as safe of an environment for the fans and
indeed anyone involved in the show, as possible at all times. Planning and
execution of a live event, any live event, should be done with public and
worker safety at the forefront. Since the start of the 2000s, there has been a
record number of show attendee related injures and even deaths.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Starting with the most recent
tragedy for nightclubs, in <a href="http://www.dailymail.co.uk/news/article-2269057/Brazil-nightclub-More-230-die-Brazilian-nightclub-survivors-say-security-guards-tried-stop-people-leaving-burning-building.html">Brazil, the KISS nightclub</a>, a local hotspot for
teens and college students caught fire after the band’s pyrotechnics ignited
the insulation foam over the stage, this toxic and quick burning fire quickly
overtook the crowd, who in trying to escape had one exit, bouncers unaware of
the emergency and no time to get out leaving 256 dead. Perm, Russia December 5,
2009, at a club known as the <a href="http://www.youtube.com/watch?v=EM8VMC7E9T8">Lame Horse</a>, again another incident of improper
pyrotechnics used in a low clearance building, unsafe materials over the stage,
causing the fire to ignite and spread at a rapid rate, while spewing highly
toxic fumes. The patrons tried to flee, however 109 died in the fire and many
others suffered injury due to the fact that the club’s only lit exit was the front
door. <a href="http://en.wikipedia.org/wiki/Rep%C3%BAblica_Croma%C3%B1%C3%B3n_nightclub_fire">Republica Cromnon</a> nightclub in Buenos Aries, Argentina, December 30,
2004, 194 people killed after a firework ignited the foam ceiling, fire exits
where chained shut, and no working fire extinguishers. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The one that left an indelible
mark on the States is the tragic fire at <a href="http://www.wpri.com/generic/news/local_news/west_bay/timeline-station-nightclub-fire">The Station</a> nightclub in West Warrick,
RI on February 20, 2003. The 80s rock band, <a href="http://en.wikipedia.org/wiki/Great_White">Great White</a> was scheduled to
perform as headliner at the club that Thursday night. As the band’s set
started, their tour manager Daniel Bichele, ignited the band’s pyrotechnics
with total disregard to the size of the building, type of acoustical and
insulation foam that was over the stage and ignoring the possibility that these
fireworks might be too much for the space. That night, 100 people lost their
lives and another 200 were injured due to negligence, on the part of the band
and their crew, those in charge of the venue that night, and also the club’s
owners and city officials that allowed the building to stay open despite the
fact it was in violation of multiple fire codes.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> Disregard for human safety is the dark side of
the music industry, one that must be brought into the light and held
accountable. Criminal charges where filed in all cases with mixed results. For
The Station tragedy, the band itself maintains their innocence, while Bichele
plead guilty to all charges and served four years of a fifteen-year sentence.
The club’s owners also served lightened sentences, or not at all, and not one
member of Great White has claimed any responsibility to date. Also many civil
suits followed with the list of named defendants lengthily, from the club
owners, to the city and state governments, the makers of the foam, the ones
that sold it, even against JBL for the foam in the speakers and the concert promoter,
as the show was sponsored by the local radio station owned by broadcasting
giant, Clear Channel.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Later years brought more
tragedy in the form of staging and roofing collapses. August 1, 2009 tipped off
the new wave of issues at the <a href="http://www.cbc.ca/news/canada/story/2009/08/01/stage-collapse-injured-camrose.html">Big Valley Jamboree Festival in Alberta, Canada</a>,
leaving 40 injured, and one dead. July 17, 2011 at the Ottawa City Blues Fest,
the band Cheap Trick was in the middle of their performance when a storm that
had blown up took a turn for the worse. Literally seconds before the roofing of
the stage was blown backwards, the band had decided mid-song to leave the
stage, and as they did, it came crashing down on them. Taking the brunt of the
initial hit was the band’s gear truck parked behind the stage that was crushed
by but gave the band time to get free of the stage and allow the roadies just enough
time to clamber up and grab equipment. Though the band and most of the crew
escaped injury, a few did not including their truck driver and another
stagehand. Then on June 16, 2012, a temporary roof and stage setup for a
<a href="http://artsbeat.blogs.nytimes.com/2012/06/16/stage-collapses-before-toronto-radiohead-concert/">Radiohead concert in Toronto</a> collapsed prior to show opening, killing drum
tech, Scott Johnson for the opening band the BBC. There where no adverse
weather conditions however in Toronto that day, and there is still no official
ruling to date on the cause of the roof collapse.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Georgia;">Aug. 6, 2011, high winds toppled a lighting rig at an outdoor concert
by the Flaming Lips in Tulsa, Oklahoma, followed by the <a href="http://www.billboard.com/articles/news/467924/five-confirmed-dead-in-sugarland-stage-collapse-at-indiana-state-fair">tragedy at the IndianaState Fair </a>when the roof blew off just prior to the band Sugarland taking the
stage, killing 5 and injuring many more. Again, in each of these cases, a set
list of things go wrong prior to the show start or to anyone getting on those
stages. Safety checks and inspections on the structures for internal integrity
were not performed or not up to standard, weather conditions where not taken
into account and the calls were not made early enough to prevent injury, and
also, the roofing was overloaded with lighting and audio, on truss not wind rated
for the kind of poundage that was strapped to them, causing them to tip in high
winds. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Georgia;">Through all of these, fingers have been pointed, some charges filed on
many parties, and civil lawsuits abound. In some areas, the state and federal
laws have been updated to include new safety measures for venues and other
places of gathering, however, it’s not enough, indeed, some say it’s too
little, too late. Advocates, such as </span><span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Paul Wartheimer
of <a href="http://www.crowdsafe.com/default.asp">Crowd Management Strategies</a> published a list of <a href="http://www.crowdsafe.com/new.asp?ID=2075">14 questions </a>that he believes
should be used as reference prior to starting any outdoor live event. He also
sites many other lessons that are to be learned after any large crowd disaster,
citing the state fair as the most recent, but applying to all, “</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: Verdana;">A lack of
comprehensive local, state and national safety laws and standards; an appalling
lack of competent event management and staffing; a failure to enforce or comply
to safety laws that do exist; and the failure to hold parties criminally
responsible for preventable crowd disasters,” says Wartheimer in his follow-up article, <a href="http://www.crowdsafe.com/new.asp?ID=2161">The Indiana State Fair Tragedy One Year Later: What Happened And What To Do Now.</a></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Georgia;">Going forward however, it is the responsibility of everyone involved
in show production to be safety minded first, foremost and always. Communication
with all staff connected to the event is vital, and must stay up to date. There
is no room for pointing blame when lives are being lost, all in the name of a
good time. Fans that thought they would get to see the show of their lives and
instead gave their lives to the show. This cannot be allowed to continue, the
days of “it’s not my job” are long gone, and the person that doesn’t speak up
about potential problems is just as guilty as the person that ignored them. <o:p></o:p></span></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com1tag:blogger.com,1999:blog-4760835529433681429.post-72741338188952484762013-02-24T19:34:00.002-08:002013-02-24T19:48:09.812-08:00Tampa Bay Area Crew Remembers Their Fallen Brother<!--[if gte mso 9]><xml>
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<span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">While
this business of entertainment will always remain a business, to those of us in
it, especially the crew, we are a family. We share good times and bad, we hold
each other up when we fall, and together we mourn and grieve when we loose one
of our own. Last Monday, February 18, 2013, word spread through the backstage
A/V community like wildfire that one of our own, <a href="http://www.linkedin.com/pub/tim-taraldsen/59/123/b5b">Timothy “Tim” or “Timmy”Taraldsen</a> had passed in a horrific car accident, leaving us all stunned. While
the details and legalities surrounding it will be a tale told later to the
proper people, for us, what remains is the reminder that yet again, life is
very short, and the ones that come into it are there for a reason, and we must
treasure every moment with them that we have. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Tim got his
start in the industry at the young age of 18, working out of St. Petersburg, FL and then later for Turn of the Century Productions, teaming up with the young <a href="http://www.linkedin.com/pub/ozzy-giron/38/790/704">Ozzy Giron</a>,
first as shop guys, and B crew workers, busting butt at local venues around the
Tampa Bay Area. According to Ozzy’s wife and life partner, Laurie Giron, “Tim
and Oz quickly built a reputation as inseparable brothers, even looking the
part by dressing alike.” Both got their big break in 1989 with a chance to go
on the road as techs for <a href="http://www.waynenewton.com/">Wayne Newton</a>, later taking over entirely with Ozzy at
front of house and Tim on monitor deck. After that tour, Giron says that “taking off
like crazy” described both of their careers, with Tim and Ozzy touring with
some of the biggest names in music. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">When you
tour like that, sharing the same space, the same schedule, literally everything,
a family unit develops, one that is so very special and not easy to understand
if you’ve never personally experienced it. The artists and all that travel with
them, they weren’t just clients, they became family especially to Tim. “Living
with someone on the road is like a marriage except they don’t judge each
other,” says Giron. She also describes Tim as not just a friend, but also a
brother, and her husband’s rock n’ roll soul mate, “Miles may have separated
them with different tours, but an airplane ride away was home, and Tim always
meant home to the Giron family, always will.”<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Later in
his life, Tim settled back down here in the Tampa Bay area, but still staying
very active locally, working with many Bay area crews over the years. <a href="http://www.esiaudio.com/">ESI Audio</a>
in particular was one of his local home bases, and he was often seen around the
shop and at gigs causing mischief, working on gear and as always, working the
boards. A show with Tim never had a chance to get overly intense since he was
always the first one to crack a joke, and as ESI head systems tech, <a href="http://www.linkedin.com/pub/rick-soukup/5a/440/389">Rick Soukup</a>
put it, “Timmy’s answer to any concerns or issues that popped up was always the
same, ‘No worries my friend’, and then he went and solved it, he always found a
way to make it work.” <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The
Tampa Bay area crew has lost a talented community member, a loss that will echo
through the halls of every show we set up, because as Tim well knew, the show
must go on, but we will never forget our friend, mentor and family member. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmvq6iWikNwl9MoJP65rF61FXzEBTMSw3yygH3UPXF3_sAI9RPhIDnQ7V_XupKi9Klb0FmptslR0tGy_XdJg_SFsyPZ-gSxx41uWgGBNT4m7axB0YdyCljBt0RK6gRHglLrn4-jUvu_ewK/s1600/581684_572243239454244_909964598_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmvq6iWikNwl9MoJP65rF61FXzEBTMSw3yygH3UPXF3_sAI9RPhIDnQ7V_XupKi9Klb0FmptslR0tGy_XdJg_SFsyPZ-gSxx41uWgGBNT4m7axB0YdyCljBt0RK6gRHglLrn4-jUvu_ewK/s320/581684_572243239454244_909964598_n.jpg" width="240" /></a></div>
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<span style="font-family: 'Times New Roman';">Today’s indie artists are
facing a unique problem in the music business. The hold of the big record
companies has been broken, and new conglomerates not interested in artist
development, are also not interested in giving out recording contracts. This leaves
unsigned artists in a quandary. “</span><span style="font-family: 'Times New Roman';">In the late 1960s and 70s, artists were allowed
time to experiment and try new things which helped them find their voice,” says
David Polemeni in his article for <a href="http://www.musicbizacademy.com/articles/dp_artistdevelopment.htm">Music Biz Academy.com.</a> However, artists today
don’t have that luxury on the record company’s dime, which Mr. Polemeni
confirms in his statement, “Today the artist has to walk in with the
masterpiece and so the importance of development before you present to the
industry is even more crucial.” </span><span style="font-family: 'Times New Roman';">Where do
we go from here? Where do we start? Today’s A&R doesn’t want potential,
they want what is already selling and established, making it crucial for
everyone to bring their A Game.</span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">No one knows this better than
Adam Shaw, Artist Manager for <a href="http://www.steadyriot.com/">Steady Riot Management</a>. He’s also solely
responsible for day-to-day operations and management of the career for the band,
<a href="http://www.thedrowningmen.com/">The Drowning Men</a>. From handling their daily needs, future appearances, endorsement
deals, and all other aspects of managing a band on the rise, he is also a
rising star in the industry, in his own right. Hailing from Plymouth, Massachusetts,
home to a diverse musical subculture in the 1990s, and a short jaunt from Boston,
the long-time home of American rock and roll, Shaw describes the era as a time
when “Kids were owning their music and in love with their music.” That passion
for the music and the desire to stay connected to the scene led him to
Northeastern University in 1996, where he studied music business administration
and worked part-time for a local venue on the weekends. Eventually he worked
his way up to full-time and later dropped out of college to better pursue the
music side. While he readily acknowledges there were lessons learned through
the school of hard knocks, he eventually understood that while music is an art
form, it should be considered first and foremost a business. Aspiring artists
and other industry start-ups don’t often grasp this vital concept, and overlook
its importance. Stepping out of his role with the venue for awhile brought him
to a new level with Boston-based <a href="http://en.wikipedia.org/wiki/Lost_City_Angels">Lost City Angels </a>as a drummer, where he quickly
garnered local and regional attention, and later an opening slot on tour with a
major label band, <a href="http://www.thelivingend.com.au/">The Living End</a>. According to Shaw, more hard lessons followed
as the band took on the challenge of being road warriors seriously. He toured
with them almost non-stop from 2001-2005, however, his venue experience still
stayed in the background with no real connection until later. He eventually tied
all of his experience together into his next step, as he could see the band’s
eventual demise and described it as, “One of those things you can’t do anything
about, your hands are tied and you have to let it happen.” <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">When Lost City Angels
disbanded, their former manager, who had been Shaw’s confidant and ever
increasing source of information and guidance during the Lost days, approached
him with an offer for managing a band. Still operating from the East Coast and
working again for his original venue, Shaw fully embraced the world of artist
development and management. He describes it as a “crash course in management
learning as I went along.” The next year
and a half was spent progressing the band from regional fame with good
potential, to fully signed artists on their way to the top. His decision to
again step back from artist management was another learning experience in the
industry. Signing on first as drum tech, then working his way up to production
manager and eventually tour manager for the <a href="http://www.bosstonesmusic.com/">Mighty Mighty Bosstones</a> was his
biggest and best learning experience to date. He learned not just from the
touring and hands-on, but from the band members themselves. After finishing
with the Bosstones, returning to venue management on the East Coast didn’t seem
like the best way to keep his momentum going. On a whim, with a lot of hope and
fingers crossed, he packed up his family and headed to California. Initially
working out of his garage, scouting venues, acts and making his name known
landed him a gig working show productions at a venue owned by a member of the
group Flogging Molly, in Carlsbad, California. This is where The Drowning Men were
first brought to his attention. His initial impression from the 5-song demo
wasn’t the marketable sound he was looking for, but trusting his instincts,
Shaw booked them for a show at the venue. The difference between the demo and
their live show was a total 180 degrees, and he describes his first experience
of their live show as a defining moment. “The EP did not capture what they were
capable of when they were live. On stage, they poured every ounce of their
being into this amazing show,” says Shaw. The rest, as they say, is history. With
the band now on their third release, <a href="http://www.thedrowningmen.com//albums/all-of-the-unknown/">All Of The Unknown</a>, this put the finishing
touches on their plans for a European tour starting in the next few months and
running until fall. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">From all his experience, Shaw
shared a few nuggets of wisdom for successful band management. “Back in the
day, that record contract with a major label was the big dream, what everyone
strived for, but we don’t have that anymore. What’s amazing now, is that a band
can be their own label, keeping 85 percent of the profits instead of the micro
amounts of the past.” This flexibility, coupled with the advent of social
media, and a greater variety of options, helps any band and their
representatives control and conduct the path of their careers like never
before. His formula for getting signed is simple, “Have an amazing live show,
have that great recording, have that all-out passion for the music, and be
willing to do the hard work that goes with it.” He also stated that a band has
to be able to see through the glitz and cut to the bottom line when dealing
with the business. Connecting with the fans, developing that fan base, and converting
them, “one person at a time” is what will get talent to the next level. He
cautions however, that management must be ever wary and watchful as an external
party for any internal band problems. Stating that as a manager, “You have to
step outside of yourself, see the problem approaching before it blows up, use
that external perspective to see it happening, then take it 100 percent head
on, deal with it and be honest.” He prefers to keep the core band in their own
bubble, while at the same time foster the camaraderie between the members. Always
remember at the end of the day, the music is the most important, “The music is
why we are all here in the first place, that can never be forgotten.” Citing
his previous experience in the industry, and first-hand experience as an artist
are what makes him most effective in his role as manager. His final words of
advice, “It’s a marathon before you get to the sprint, so get ready to run.”<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Arial;"> <o:p></o:p></span></div>
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<!--EndFragment--><br />Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-15952159239726640342013-01-11T08:39:00.000-08:002013-01-11T08:39:35.594-08:00The System Is The Business, And Business Is Good!
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<span style="font-family: 'Times New Roman';">Today’s struggling economy
has forced all of us to rethink how we do things and to conserve funds in every
way possible. Instead of buying that big V-8 car or truck, people are snapping
up the new hybrids like crazy, shopping for the best deals available. The same
applies to the music industry, especially in the business of live sound and
touring. As the days of the big tours and all the gear that follows them are
dying off in search of more cost effective ways to achieve the same result
without the transportation expenses, regional sound companies are rising to
meet this new challenge. One southeastern company, Tampa, FL based <a href="http://www.esiaudio.com/">ESI AudioProduction Services</a>, stands out because of its</span></div>
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<span style="font-family: 'Times New Roman';">unique approach to the business
of sound. Founded in 1989, this company now in its 24</span><sup style="font-family: 'Times New Roman';">th</sup><span style="font-family: 'Times New Roman';"> year has grown
from a small minimum investment set up, to a sprawling warehouse that takes up
most of a city block, with more plans for future expansions in the works. Propelled
forward by the concentrated efforts of<a href="http://www.linkedin.com/pub/erick-celeiro/8/889/173"> Erick “Otto” Celeiro</a>, President and
<a href="http://www.esiaudio.com/contact.html">Patrick “Pat” Clark</a>, Vice President with the later additions of <a href="http://www.linkedin.com/pub/ozzy-giron/38/790/704">Ozzy Giron</a> and
Mark Thompson, the core base was complete and the system that is ESI began. It
is this system that is the basis for every principle that is applied to their
business practices, and it has served them well.</span></div>
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<span style="font-family: 'Times New Roman';"><br /></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Having a chance to sit down
with V.P. Pat Clark gave a much clearer perspective to why this company truly
stands apart from anyone else. The founding members began their industry
experience in the Tampa Bay area, affording them the opportunity to build over
time, vast networks. This was the basis for the business, already seasoned
veterans with many years experience and knowledge in all aspects of the
industry, using personal relationships with existing strong foundations to work
from as opposed to the standard marketing and advertising route for building clientele.
When the health of already established relationships dictates every business
deal made, it changes the experience for everyone. Working from the idea that
anything that has the company name on it from gear to crew must maintain the
highest level of professionalism at all times has established a firm and loyal clientele.
When the gear goes out the door for a show it is fully tested, everything
double (sometimes triple) checked, and ready to go right out of the truck. Same
for the crew, they know what they are doing, don’t damage equipment, and hold
many records for quickest and most efficient load in, set up, strike and load out
for multiple national acts. ESI’s practice of using industry standards as a
starting point instead of the top marker is evident in every show.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><br /></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">When dealing with clients Mr.
Clark remained adamant that the highest priority is the relationships with
people, remembering that pushing for a higher deal might pay off in the short
term but for the overall health of the relationship, the long term pay off is
always more important. As an example of this, he cited a show late last year,
outdoor festival with big headliners that had to cancel due to dangerous
weather conditions. The promoter who is a long time client and friend to the
business, and the tour company that is a new relationship still being fostered,
where set to loose big money from the sudden cancellation. Realizing both his
chance to further strengthen his relationship with one and go a long way to building
it with the other when approached, they reached an agreement on the spot to
reduce the overall impact of the loss while the company still broke even. Helping
everyone to save face and not have a deficit was the best way to ensure a
bigger return in the future dealings. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><br /></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Taking the time to get to
know the people behind the business deals, to really get a feel for what the
client’s needs are, then staying on top of every event with precision gives a mutually
beneficial result and builds a reputation that now speaks for itself.
Identifying potential problems early on, proper planning and flawless execution
follows, ensuring everyone is satisfied.
There is no positional bargaining in the world of ESI, and that lack of
“haggle” makes for much smoother and happier business dealings all around. This
also avoids most chances for so called “dirty tricks” people play in negotiations
or contractual situations. Again, this company doesn’t play the games of others
but instead changes the game by eradicating the potential for dirty tricks and
underhanded dealings. The system of money up front, first foremost and always
takes away the possibility to almost nothing that there will be problems over
payments or contracts not honored. On the rare occasion attempts have been made
to breech contractual obligations, Mr. Clark again leaves no room for debate
and advises to always have excellent legal council on your side to handle the
ones that choose to learn the hard way.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><br /></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Ultimately though, the
emphasis and focus remains on relationships and the people in them, those
within the company and those that they work with, which provides for it’s
unique and successful approach to business and the negotiations that go along
with it. What started out as a formula and blue print twenty-four years ago is
now a force to be reckoned with, from which much can be learned for the next generation.<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-42262030543644207722012-12-10T13:20:00.000-08:002012-12-10T13:20:14.853-08:00So You Think Audio Is The Career For You?
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<span style="font-family: 'Times New Roman';">People often ask me how I got
my start in the music industry, and how can they get in for themselves. I got
my start just shy of twenty years ago in the local scene around the Tampa Bay
area. My first foray in the industry was as a music reporter, first for my high
school newspaper, and then later for local and regional magazines. This allowed
me to make many new connections and start building my professional network.
About a year after I had been working for the magazines, I was at a local rock
fest and met a husband and wife team that produced a local video show called
<a href="http://www.youtube.com/watch?v=25cDQirzUlA">Metal Masters</a>. My journalist background gave me enough credibility to request
an internship which later led to employment with them and I signed on as a
Production Assistant, learning to handle everything from pre-production,
lighting, camera operation, editing and other post production techniques. The
five years that I spent with the show was invaluable for the amount of
training, skills and contacts that I acquired. </span><span style="font-family: 'Times New Roman';"> </span><span style="font-family: 'Times New Roman';">I later returned to school and got my audio
degree, and that plus my experience is what has propelled me forward in the
industry. While reporting or video might not be your thing, if you really want
to get started in the industry, look around where you live. Start locally by
finding an artist or someone already established in the industry and start
pestering them. Read up on what you need to know to be a stage hand, a drum or
guitar tech, and never be afraid of hard work.</span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">I hear this often, “I went to
school, why isn’t anyone hiring me?” What did you do in tech school? Did you
only stick to the projects assigned or did you seek out other projects as a
student to build your portfolio? Training from the pros is necessary, school is
expensive, but the right program will give you many of the skills needed to get
your foot in the door, however, alone it is not enough, especially when it
comes to live sound. Check out what is available for audio engineering training,
schools like <a href="http://requestinfo.fullsail.edu/rabs/google-search?mncid=209&mnckeyword=audio%20engineering&utm_source=google&utm_content=ra_3c&utm_medium=cpc&utm_term=audio%20engineering&utm_campaign=rabs-c">Full Sail University</a>, <a href="http://www.audio-production-programs.com/Default/Schools/iadt-tampa?src=168435&siteid=mt1+audio+engineering+schools&gclid=CKy3r6LhkLQCFQHonAodOWgAUQ">International Academy of Design andTechnology</a> provide the environment and training needed to understand the basics.
However, the people you are looking to work with often times have more
practical experience than you, the newbie have in life years. Showing up on a
production company’s doorstep with only a degree in hand will get you a chance
to push a broom, if that, in most shops. What they are looking for today is
knowledge, training and practical hands on experience. One person with no
degree but five years on the job training will get hired before the person with
a fancy degree but no practical knowledge. Volunteer while in school, take on
projects that may not pay right now, but will give you an edge over the next
person applying. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">There are other mistakes that
people make not realizing it can jeopardize their entire career before it ever
has a chance to take off. According to Karl Winkler, a regular contributor to
ProSound Web’s blog, there are seven mistakes that rookies make that get
noticed, even if you don’t think they do. In his article, <a href="http://www.prosoundweb.com/article/what_can_go_wrong_seven_habits_that_can_ruin_your_career_in_audio/live/">“What Can Go Wrong?Seven Habits That Can Ruin Your Audio Career”</a>, one of the seven things he
points out is being the “Know It All”. I have personally seen this one in
action. When new to the scene, it is best to not approach a gig with a
know-it-all attitude. The affects of this can range from simply being annoying
to potentially damaging equipment, hearing or even injury to yourself or
someone on the crew. Remember what you have learned and apply it, but always
take into account the instructions of your crew chief or head engineer. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">When you are dealing with a
new crew, never assume anything. Just because the last company you worked for
did things one way, doesn’t mean that this one will do it the same way. Certain
things are universal and signal flow only happens one way, however, other
things from mic positioning, monitor placing and cable laying and wrapping
differ from company to company, engineer to engineer, and even show to show.
Never hesitate to ask a question, the only dumb question is truly the one you
didn’t ask, or as Winkler suggests, “</span><span style="background: #FAFAFA; font-family: "Times New Roman"; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Be humble and ask the right guys how to do those specific
things. Then listen carefully and don’t ask them again – just do it right.”
Asking questions is good, asking the same question over and over will only
annoy your boss, and may guarantee they won’t be calling you back. Another
suggestion that Winkler makes is to show initiative. Again, this is something
that I highly recommend as well. Doing only your job, and then standing around
will not endear you to those higher up in the chain; neither will other bad
habits like taking too many breaks and pulling out your smart phone while on a
job. When you have completed the tasks assigned to you, go and ask, seek out
any other work, or if anyone else needs help, because in the business of live
audio the mantra to remember is “time is money”. The more you show your
interest in seeing the entire team succeed and meet their deadlines, the more
you will boost your own image. </span><span style="font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com1tag:blogger.com,1999:blog-4760835529433681429.post-6377227821384007842012-11-25T18:40:00.001-08:002012-11-25T18:40:09.495-08:00We've Always Done It This Way
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Old ways are the best, this
is how we always do it, if it’s not broken don’t fix it. All of these are
examples of what any new engineer on the scene hears from other more seasoned
veterans, and that’s perfectly fine, to a point. When do we reach a point
though where it must be accepted that for as fast as today’s technology
develops and then becomes outdated, is it not possible that our practices and
personal stamps on the industry might need revising as well? As an example, at
a show last month, the FOH and monitor mix engineer, was setting up the board
for the show, much the same way he has done for over twenty-five years. When I
asked him what he planned on doing for each band, he looked at me like I had
spoken another language, as if to say, “What do you mean?” That’s when it hit
me, this person is still mixing the same way he did when I first worked with him
in the early 1990’s, with total disregard to the last few decades of
advancements in our industry. In order to keep up with the new types of artists
and their constant blending of genres, one must keep up with the newest and
best ideas from all available resources and build your own “bag of tricks”.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The days of the walls of
PA’s, the massive amounts of power required to push the sound, the huge stacks
of guitar amps, all of the large amounts of equipment required to put on a show,
especially an outdoor event are long gone. According to some of the pros, one
in particular, it is accountants that began the demand for smaller, more
portable, and cost-effective replacements for the large amounts of equipment
and the cost to transport it. This is the theory of one of the most respected
names in the industry,<a href="http://en.wikipedia.org/wiki/Bruce_Jackson_(audio_engineer)"> Bruce Jackson</a>. He states in an article he wrote for <a href="http://mixonline.com/">MixMagazine </a>online, <a href="http://mixonline.com/mag/audio_live_sound_industry/">The Live Sound Industry Grows Up (and slims down)</a> that, “</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Sans Unicode";">It's
expensive to cart truckloads of heavy speakers around the world, let alone
unload them, put them up for the show and put them back in the truck to go to
the next gig. I guess too many acts went out on the road for an extended tour,
only to find that production costs ate up profits. The pencil-pushers
eventually came into positions of power and demanded more efficiency from sound
companies, and they responded.” The sound companies certainly did, slimming
them down from big heavy arrays, to “tall, slender and lightweight columns of
beautifully engineered loudspeaker technology, known as line arrays”, said
Jackson. The line arrays of today are lightweight, coaxing each speaker to work
with it’s neighbor, to create an even sound for the entire audience, and
delivering unbelievable amounts of control of the coverage pattern. Such as in
the case of the <a href="http://www.clairsystems.com/index.php/clair-brothers-audio-products/products-2/line-arrays">Clair Brothers line arrays</a>, world famous for their innovation
and technology to meet todays live sound needs. US based <a href="http://www.jblpro.com/catalog/general/productfamily.aspx?fid=9&mid=3">JBL </a>also has a huge selection
for all audio needs as well, still staying lightweight and powerful.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Sans Unicode";">As another example, while it is not necessary to utilize
a fully digital board, the newer advancements have been responsible for making
it easier for an engineer to go in and make adjustments with surgical
precision. The older mixers as they got more complicated adding more stages of
electronics to increase routing, bussing, patching and other functions, the
sound quality was degraded. Newer analog and all most digital consoles of today
have solved this problem by using better internal connections, and enough
“internal mathematical precision to deliver mixes with zero degradation,”
Jackson also stated. However, all digital consoles are not created equal, so it
is best to give them a listening test before investing. Also with the
advent of the digital age, processors have become the real winners. Previously
unavailable signal processing options such as <a href="http://en.wikipedia.org/wiki/Delay_(audio_effect)">digital delay</a>, <a href="http://www.retrosynth.com/~analoguediehard/studio/effects/digitalreverb.html">reverb</a>, <a href="http://en.wikipedia.org/wiki/Auto-Tune">AutoTunes</a>,
<a href="http://en.wikipedia.org/wiki/Pitch_shift#Pitch_shifter_and_harmonizer">pitch shifters</a>, and new filter shapes for EQ’s, again allowing for that
surgical precision previously unheard of. Processors of choice by the pros vary;
however, some of my favorites are the <a href="http://www.dbxpro.com/en-US/products/driverack-220i">dbx Drive Rack220i</a>, <a href="http://www.empiricallabs.com/distressor.html">Empirical Labs EL8Distressor</a>, the<a href="http://www.lexiconpro.com/en-US/products/mx400"> Lexicon MX400XL</a>, and the <a href="http://www.solidstatelogic.com/music/xlogic%20x-rack/stereo_eq.asp">Solid State Logic XRack Stereo EQ</a>. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Lucida Sans Unicode";">Knowing all of this new technology that is available,
while not forgetting some gear is classic and always present because it still
works just as well now as it did twenty-five years ago, should make for a
homerun on every show, but sadly there are those that are still clinging to the
old practices and mixing the same way they did then too. In order to take a
show from mediocre to unforgettable, it is vital for a production company to
stay current and knowledgeable about advancements in the music industry. We must
not be threatened or afraid of new ideas and new ways of getting things done;
in an economy that doesn’t permit mistakes or an audio foul up. The difference
between your band plugging into the house system and playing despite the
acoustics and the guy behind the board versus properly setting up and playing
with the full accompaniment and the power of the system is what will make or
break not just a show, but the artist as well. New technology, new and fresh
ideas mixed with old standbys should be what today’s engineer blends for that
perfect balance of the best ways to make a show rock.<o:p></o:p></span></div>
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<br /></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-34414652133800416912012-11-17T09:53:00.002-08:002012-11-17T09:53:59.848-08:00AES, The Membership You Can't Live Without!
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<span style="font-family: 'Times New Roman';">There are many associations
and sites for the music industry that professionals can utilize and refer to,
however the best one for engineers is without a doubt the <a href="http://www.aes.org/">Audio EngineeringSociety (AES)</a>. This is vital to any audio engineer, studio, live sound, video
game/Foley, you name it, and this society, unlike any other, is devoted entirely
to audio technology. For the engineer that needs to be in the know, this is the
site for you. Founded in the US in 1948, the now international society “unites
audio engineers, creative artists, scientists, and students worldwide by
promoting advances in audio and disseminating new knowledge and research.” It
is in essence another vital tool in building ones professional network.</span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">With 95 student centers along
with multiple branches of the society in place, they hold activities in each
area, guest speakers, technical tours and demonstrations, and social functions.
Utilizing these various levels of education mixed with social interaction,
allows it’s members to mix in different settings and environments, a chance to
make connections with different areas of the business that one person on their
own may not have otherwise come in contact with. This is in addition to the
annual conventions, periodic conferences, and regional summits that include
scientific presentations, student activities, workshops, and exhibitions. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The AES website is a huge
plethora of information, and if you are a member, it’s usefulness is un-measureable,
and very much worth the membership dues. There are research papers previously
presented at conventions, tutorials, technical reviews and documents, and much
more contained just in the <a href="http://www.aes.org/e-lib/">E-Library</a>. AES also uses the monthly publication,
<a href="http://www.aes.org/journal/">Journal of the Audio Engineering Society</a>, to educate and inform the industry on
the latest tech papers and reports, feature articles on the newest and best of
audio technology. This publication, it’s findings and reviews have been
essential to my learning both as a student and a professional in the industry and
it’s highly recommended for anyone in the industry because of it’s constant
finger on the pulse of both the people of the industry and the technology that
makes us all sound better. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The other extremely important
role that this society plays in the music industry is one so vital yet not
always widely known. Given the scientific nature of the society, they are
charged with the creation and maintenance of the international standards in the
areas of digital and analog audio engineering, communications technology,
acoustics, media preservation and creative practice. They have and continue to
stay current with all established and emerging audio technologies and
techniques. As we move into this new century and new ways of doing things on
smaller scales to get the same big effects, this society and it’s constant
updates of its findings will benefit all in the industry. The ability to really
know ahead of time before buying how a product or design will perform, the best
way to go about it and the best way to implement it as vital to the producers
as it is the engineers. <o:p></o:p></span></div>
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<br /></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-1409967318736416062012-10-28T19:17:00.002-07:002012-10-28T19:17:42.939-07:00Think Globally, Act Locally....Not Just For Greenpeace Anymore.
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It was a seemingly endless search, looking for a speaker
that inspires me sounded difficult at best because there aren’t many who are
vocal, that really seem to capture the art and the power of music without
turning it into only business. Until,
that is, I happened upon a strange title, just enough to catch the attention.
<a href="http://www.ted.com/talks/abigail_washburn_building_us_china_relations_by_banjo.html">“Abigail Washburn, improving us-china relations…by banjo.”</a> I was intrigued,
enough that I clicked on the selection on the <a href="http://www.ted.com/">TED</a> website and for six minutes
and thirty-four seconds, I was spellbound. <o:p></o:p></div>
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<a href="http://www.abigailwashburn.com/website/">Abigail Washburn</a> started out life in law and Washington DC, with
intentions of going to China to study their laws, and help improve relations. According to her speech, before she was scheduled to leave for the Far East,
while at a party, she heard her first banjo tune. She said “in that moment, I
knew I had to take a banjo with me to China”. Described as a <a href="http://en.wikipedia.org/wiki/Clawhammer">clawhammer banjo player</a>, she cites many influences, but strives to incorporate many genres and
techniques, even blending Chinese and American styles into her own unique
music. </div>
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After leaving college, she traveled through the Appalachian Mountains,
home to bluegrass and country n’ western, learning traditional songs straight
from the source. It was in Kentucky at Bluegrass convention when a record
executive from Nashville approached her about cutting an album. The rest, as
they say, is history, and two full solo albums later, she is a much sought
after artist for shows all around the US and China. <o:p></o:p></div>
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The inspiration in this woman’s words is her absence of
guile about why she plays and sings the music she creates with such passion. Ms.
Washburn’s statement, “I see the power of music, I see the power of music to
connect cultures, to connect hearts,” is one that should hit home for all of us
in the industry. That is what we are here for, that kind of passion for the art
is what touches that flame in all of us, and is what we, as industry
professionals, should never forget. Sadly though, this get taken out of the
equation more often than not.<o:p></o:p></div>
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She also illustrates the power of music when describing one
of her trips to China to help with the <a href="http://sichuan-quake-relief.org/">Sichuan Quake Relief</a> efforts. She was
performing at one of the relocation schools for the children of the quake, and
how a little girl who had lost her mother asked to sing a special song to Ms.
Washburn. Her description of it was so powerful and moving, to see how music
connects us all, not just by country but as human beings is a moving
illustration of the power of music. “In that moment, we weren’t are
American-selves, we weren’t our Chinese-selves, we where just mortals, sitting
together in that light that keeps us here.” It is that light that music brings,
that light that moves us, reminds us just who we are. She also states that in
that moment she has realized her true calling. “I want to dwell in that light
with you, with everybody, and I know that US-China Relations doesn’t need
another lawyer.”<o:p></o:p></div>
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Her idea to think
globally and act locally is one that every person who wishes to make a
difference must do. Start where you live, find the next big thing that touches
a part of you, and then figure out how to get it out there so it can touch
everyone. Most of all teach and foster those that will follow you. That, in
essence, is at the heart of everything I do in music. I think globally and act
locally believing that there are good people out there, like me, trying to make
a difference, not just make a buck. <o:p></o:p></div>
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<b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Microphones,
To Sing Or Not To Sing?<o:p></o:p></span></b></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Using the right mic for the
right application is the key to success or the element of failure to a live
show. Determining what’s the right mic for the right application is vital. Vocalists
and instruments use different types of mics to get the best sound quality for
live shows. It is a good idea to do your research when planning what to pack in
your live rig.<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Typically for live vocals,
the standard mic to always have on hand is the <a href="http://www.shure.com/americas/products/microphones/beta/beta-58a-vocal-microphone">Shure Beta 58</a>. It is a dynamic
mic with a high output and a durable steel mesh grill making it ideal for live vocals. For high volume vocalists
that are going to be pushing the limits of the mic, investing in a higher end
dynamic mic is highly recommended. The <a href="http://www.electrovoice.com/product.php?id=87">Electro Voice N/D967</a> is perfect for
vocalists that love to hit those power notes because of it’s <a href="http://www.answers.com/topic/supercardioid-microphone">super cardioid</a>
pick up pattern with the highest gain before feedback to prevent peaking.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">When selecting instrument
mics, one of the best choices is one that is known as the workhorse of the industry, <a href="http://www.shure.com/americas/products/microphones/sm/sm57-instrument-microphone">Shure SM57</a>.
This mic has been an industry standard for many decades, and for good reason;
dynamic, durable, and versatile, the SM57 can be used for many different
applications. Typically it is best used to mic the snare and high hat on a drum
kit, and for the mids and highs of the guitar amp. This dynamic cardioid mic
can be spotted on practically any stage around the world, and will always be
one of the basic requirements of any live set up. In a pinch, it can also be
used to mic the bass amp, although a better choice for that would be the <a href="http://www.audixusa.com/docs_12/units/D6.shtml">AudixD6</a>. This mic is made for extended low frequencies, with lower impedance than
standard ones, which leads to less chances of interference.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Investing in a mic kit for
drums is the most economical and practical way to go, as it will give you the
basic requirements for the majority of the drum kit. <a href="http://www.sennheiserusa.com/professional_drum-microphones_instrument-mics_evolution-600_504296">Sennheiser’s E-600</a> drum
kit is an excellent choice for most standard kits, it includes four tom mics,
kick drum mic and two <a href="http://www.mediacollege.com/audio/microphones/condenser.html">condenser mics</a> for the overheads, allowing for full range
capture of the drums. In addition to the mics in the drum pack, it’s a good
idea to also include an additional mic for the bass tom. Using the Audix D-6,
and placing it under the bass tom will allow for the full bottom range of the tom,
giving the kit a richer and wider sound, along with two SM57’s, as mentioned
earlier for the high hat and snare. Proper placement of these mics is also
essential for the best drum sounds, and ensures they stay out of the drummer’s
way. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">As always, when searching for
the best quality and fit for your budget, do your research. Utilizing sites
such as <a href="http://www.gearslutz.com/board/">Gearslutz</a> and <a href="http://www.harmonycentral.com/index.jspa">Harmony Central</a> will give you ratings and professional
opinions from those in the know.<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0tag:blogger.com,1999:blog-4760835529433681429.post-79940993661725376432012-10-10T17:25:00.003-07:002012-10-10T20:08:29.876-07:00Your Own Live Rig On A Budget? Yes, It's Possible!<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal">
<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Working for many large
production companies over the years has taught me a lot about live production.
I’ve learned that having the right equipment, knowing the industry standards, experiencing
what works and what doesn’t, and what a person can use in lieu of more
expensive alternatives can make or break someone in the business. There are
ways to set up your own rig without spending top dollar. When just starting
out, do your research, find what works best, what will work second best, and
what to avoid, no matter what the price tag is, then set your budget limits.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Although we would all love to
start out with a <a href="http://www.midasconsoles.com/">Midas</a> or <a href="http://www.avid.com/US/products/venue-profile-system">Venue</a> console, most small budgets
won’t accommodate this purchase initially, but make that a goal to work
towards. In the meantime, finding good used gear is a better option than going
over your budget to buy new. Aim for the highest audio quality for the best
price. Gently used gear is often just as good as new, and sometimes even better
because like a new car, most new gear has to be broken in. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Scour the Internet. Resources
such as <a href="http://www.craigslist.org/">Craigslist</a> and <a href="http://www.ebay.com/">eBay</a> can be a boon for used gear, along with a multitude
of other sites that deal in used equipment. Sites such as <a href="http://www.musiciansfriend.com/">Musician's Friend</a>,<b> </b> <a href="http://www.zzounds.com/">ZZ Sounds</a>,<b> </b>and <a href="http://www.sweetwater.com/">Sweetwater</a> are good to start with, along with <a href="http://www.guitarcenter.com/">Guitar Center</a>, which has an online tool that allows you to see used
gear for sale in their stores nationwide. The bigger your home-based area, the
more equipment you can find for sale locally. Pawnshops yield the most
surprising finds, don’t hesitate to check them out as you begin your search for
the items you need. Also, in addition to visiting the Pawnbrokers, be sure to
visit local music shops-- many of them take equipment on consignment along with
selling new. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Always be on the lookout for
a good deal, and price ahead for what your next purchase will be. If you tell
yourself that you want to pay no more than $1500.00 for the next addition to
your rig, stick to that, if you are thorough, you will find what you need in
the price range you wanted to pay. There will be big purchases (mixing board,
digital snake) where quality money must be spent, so a savings budget is very
useful for this. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Until you can make bigger
purchases, still book that gig! Equipment can be rented to fill in what you’re
missing until you obtain a full-fledged set up. Just make sure you work rental
fees into your quoted estimate for clients to avoid losing money by going this
route. Always be creative, never pass up
a chance to try something out, ask questions and watch demos, and read industry
reviews and tips from sites such as <a href="http://www.gearslutz.com/board/">Gearslutz</a>
and <a href="http://www.reviewcentre.com/products4564.html">Review Center</a>, before making your
final purchases. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Times;">It is quite simple in the music industry to forget about treating our
work as art. In today's world of cutthroat, underhanded, and just plain
unsavory characters and business practices, one can become disillusioned very
easily. After the past two and a half years of my active return to the
business, it was starting to feel that there wasn't any heart left in it, that
everyone was out to do just for him or her, no matter the cost to anyone else.
Discouraged at best, despite some headway I had accomplished, I was starting to
think that I was part of an even smaller minority than realized, until I
happened upon a name, Donna Dowless. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Times;">In seeking my Master's Degree at Full Sail University, part of this
month’s class is video interviews with industry personnel each week. This week,
the interview was with a name that I should have known, but will now never
forget. Donna Dowless, the CEO of XOXO Media Group in Orlando, she started out
working for a venue in Washington, DC, she developed a passion for the live arena
setting. Moving in 1981 to work at the Lakeland Civic Center, she rose through
the ranks to manager of the whole operation. All of this accomplished in a time
when women in the music industry where in very short supply, and almost never
in positions of power. From there, she was recruited by Ticketmaster to act as
their Executive Director of Florida, to Executive Vice President of the Southeastern
Region and Venue Coordinator, all within a matter of years.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Times;">How did she do this? Donna, in the video interview states that she
believes in "strength and honesty, the ability to choose the way you want
to go, and your commitment to excellence will resound with people the
most." She also states that the ability to ask questions, not be afraid to
make mistakes, interact with people and follow your heart is her keys to being
a great leader and being a "package of success", as she has
exemplified herself over the years.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Times;">Ms. Dowless also states that to "never give up, understand what
people need to make things happen, don't be afraid, and pursue what you want
with all of your heart and soul." Her track record shows that this
philosophy works, and along with a rare few others in today’s industry, if we
remember these basic facts, inspiration should never be far.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Times New Roman"; mso-bidi-font-family: Times;">These words, while inspiring to all, hit me in an extra special way, to
hear the words of a true pioneer, one who has succeed by using and inspiring passion
and love in what she does in others, it makes me realize that I am truly on my
own right path, and inspires me to keep at it, no matter what.</span><span style="font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
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<a href="http://waringis.com/donna-dowless/">http://waringis.com/donna-dowless/</a><br />
<br />
<a href="http://media.online.fullsail.edu/2010/10/EXL_GS_DonnaDowlessaf796d74-d7d1-4e3e-922b-67e1f0b763d8.mov">http://media.online.fullsail.edu/2010/10/EXL_GS_DonnaDowlessaf796d74-d7d1-4e3e-922b-67e1f0b763d8.mov</a>Anonymoushttp://www.blogger.com/profile/10517899479930102510noreply@blogger.com0